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ColorMunki Photo can be used to calibrate your monitor.Īll monthly winners will be eligible for the $2,500 grand prize that will be awarded at the end of the contest in March. If you’ve had some fun monkeying around with your ColorMunki, X-Rite wants the world to know about it! From October through March, X-Rite will award monthly cash prizes to ColorMunki users who make funny, entertaining videos using a ColorMunki as a prominent character then post the videos on the X-Rite channel on YouTube.Įvery month, X-Rite will award cash prizes of $50, $150, and $500 to the creators of the videos that attract the most views. #Lacie blue eye pro calibration software free#If you are interested in getting a new monitor, please feel free to contact a LexJet account specialist at 80 and we can figure out the best solution for your needs. This is the best option for the Adobe 1998 and ProPhoto color space user. Because it is RGB-LED, it can achieve significantly larger color gamuts than any other monitor available. It uses a technology called RGB-LED – Backlit. You cannot trust these preset options because they many not be accurate to begin with, and may shift over time.Ī great monitor choice is LaCie’s 700 series. A preset white point of 6500K may, in fact, be 6300K or 6800k. You must be able to adjust the individual red, green, and blue channels to create custom white points. Today’s standard is Gamma 2.2, and I recommend this setting. This helps the monitor achieve a desired gamma setting. 120 candelas per meter squared is a good LCD starting point. You should be able to adjust how bright a monitor is according to the ambient light of your studio. You can also find this information in the spec sheet of a monitor.Ĭalibration Ability: It is imperative that you can adjust three parts of a monitor’s appearance. Higher bit depth improves smoothness in transitions and gradients, whereas a lower bit depth might make them appear banded. A 10-bit monitor is the bare minimum with today’s technology, with 12 being a better option. If you are using ProPhoto as your color space, then the largest color gamut technology allows is your best option.īit Depth: The more bit depth a monitor has, the more accurate it will render your 16-bit files. If you primarily work in Adobe 1998, then a monitor that displays 100% of this color space is recommended. If you are a photographer whose workflow only exists in sRGB, then a monitor that hits 100% of this color gamut is the best. It should provide you with percentage of sRGB, Adobe 1998, or NTSC (similar to Adobe 1998). You can find this information by checking the spec sheet of the monitor. There are other things to consider as well, such as viewing angle, contrast range, refresh rate (if doing video work), and others, depending on your business model.Ĭolor Gamut: The rule of thumb when it comes to color gamut is that bigger is better. There are three major factors that a photographer or fine art reproducer should consider when selecting a monitor: Color gamut, bit depth and calibration ability. This is a crucial ingredient in photographic and fine art reproduction. #Lacie blue eye pro calibration software series#LaCie's 700 Series uses RGB-LED Backlit, which allows the monitors to achieve a significantly larger color gamut. For more information about the ColorChecker Passport, click here, and for the ColorChecker White Balance, click here. #Lacie blue eye pro calibration software software#The ColorChecker Passport includes the Creative Enhancement Target, the Classic Target, the White Balance Target, Camera Calibration Software and the protective case. The updated target is also more spectrally neutral than the prior white formula, which ensures there is no color bias while delivering better color rendition. ![]() So, the lightness level of the color has been changed to match the same formula used in the ColorChecker Passport, which combines three photographic targets into one pocket-sized protective self-standing case. On its face, that makes sense, but X-Rite found through extensive testing with the latest major digital camera models that a more accurate color for the card is light gray. ![]() X-Rite reports that when the card was first introduced in 2003, the conventional wisdom was that a target card needed to be white in order to set the white balance of a camera. X-Rite recently improved the ColorChecker White Balance target card to enhance the tool’s effectiveness for white balancing a digital camera. ![]()
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